The gold-encrusted jade in the Ming Dynasty competes with each other (Figure)

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In the Ming Dynasty, with the development of overseas trade and commodity economy, the concept of gold jade jewelry as a symbol of wealth has been strengthened as never before. The atmosphere of gold jade jewelry is unprecedentedly prosperous, not only handed down the literature. It has been recorded in novels such as Jin Ping Mei, and the number of unearthed and handed down objects is considerable. Judging from the archaeological data, the upper priests and the princes of the princes and the literati are generally used and have their own characteristics.

明代金镶玉

The burial of the Wanli Emperor and the Emperor Xiaoduan and the Emperor Xiaojing's Dingling are the tombs of the Ming Dynasty that have been unearthed in gold and jade, with jewelry, accessories, costumes and utensils. Among them, jewellery includes 6 pieces used by Emperor Wanli, 22 pieces of ç°ª and é’— used by Emperor Xiao Duan, 8 pieces of ç°ª and earrings used by Emperor Xiaojing, decorated with gold chain peach-shaped dragon and phoenix play beaded jade pendant, costumes with gold inlaid jade Inlaid with Baolong strips, the utensils include Jintuo Yujue, Jintuo jade pot, filigree gilt box jade, gold cover Jintuo bowl and so on. These gold-encrusted jade objects and similar artifacts found in the tombs of the kings or heroes such as Liang Zhuangwang, the golden jade jewels set off against each other, regardless of conception, design, craftsmanship, styling, materials, color matching, all without arrogance, grandeur, obviously It represents the highest level of gold inlaid jade crafts in the Ming Dynasty.

Different from the gold-encrusted jade products used by the royal family and the high-ranking officials, the gold-encrusted jade artifacts unearthed from the Ming Tombs in the Jiangnan area are basically decorated with small ornaments such as jewelry, accessories and costumes. The main use of jewellery is only the beginning of the jewel, so it appears to be small and exquisite, fresh and refined. For example, the Ming Tomb of the Shanghai area, represented by the Gu Cui Li Family tomb and the Lujiazui Lushen family tomb, is not a prominent lord. The various gold jade artifacts unearthed include Xia Yu pendant, earrings, daggers and headbands. Decorative pieces such as pieces and fan pendants. Among them, the jade carvings are more common with enamel carvings and round carvings. The theme is more auspicious and festive. The theme of the eagle carvings is the peony pattern, the pine deer pattern, the "shou" pattern, the lotus pattern, etc. The theme of the round sculpture is Guanyin, boy, fish, gourd. , butterflies, etc. Most of the gold inlaid jade ornaments are also inlaid with precious stones. The most common inlaid rubies and sapphires, although not as magnificent as the royal products, are small and exquisite, and celebrate the auspicious auspicious, fully reflecting the superb level of the folk gold inlaid jade in the Ming Dynasty.

Under the dual impetus of the royal and the folk, the gold-encrusted jade crafts of the Ming Dynasty has become a new aesthetic fashion and trend. The concepts of “Jinyu Mantang” and “Yu Zhen Jinsheng” have been further fermented in the golden jade. And find the foothold of reality, its impact, and even the present and contemporary.

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