Chinese calligraphy and painting is awesome

In the art market, paintings and calligraphy have always been the most popular and actively traded sectors. In 2010, Chinese painting and calligraphy continued to dominate the art market, showing a growing trend in value and demand. The prices of ancient calligraphy and paintings steadily rose, reflecting their increasing importance as both investment and cultural assets. Over the past two years, ancient calligraphy and paintings have remained highly sought after. While some initially believed that these works only served as a hedge against economic fluctuations, they have proven to be more than just a safe investment. Their ability to appreciate in value has become increasingly evident, making them a preferred choice for collectors and investors alike. Auction houses have launched special exhibitions focused on ancient calligraphy and paintings, drawing significant attention from buyers. During the autumn auction season, events such as Song Dynasty, Ming and Qing ink paintings, Weng’s Tibetan paintings, and ancient Chinese paintings were featured, with 14 items selling for over RMB 10 million, totaling a transaction volume of RMB 1.15 billion. Similar success was seen in Beijing's Shushi auction, where ancient calligraphy and paintings generated 395 million yuan in sales. Another major event, "Sui Yingchenghua - Qing Dynasty Court Collection of Ancient Chinese Paintings and Calligraphy" and "God Watching - Famous Chinese Calligraphy and Painting Nights," achieved a turnover of 1.39 billion yuan, with 29 million works sold. Notable pieces included Wang Shuzhi’s cursive script "Peaceful Posture" by Yu Chen, Chen Yun’s "Sentimental Ink Flower" from the Ming Dynasty, the Southern Song Dynasty’s "Han Gong Qiu Tu," and Zhu Xi’s "Bamboo Stone Monk," all reaching the 100 million yuan mark. Works by Tang Yi, Zhu Xi, Wang Xi, Zou Yigui, You Qiu, Song Yujin, Wu Xinlai, Feng Ning, and Lu Shen also set new auction records for individual artists. The calligraphy market also performed strongly, with Song and Ming dynasty calligraphy generating 194 million yuan in sales and an 80.77% turnover rate. In Beijing, the ancient calligraphy market reached 159 million yuan with a 95.65% turnover rate. Experts like Ms. Yang Danxia emphasize that while many works are considered exquisite, truly rare and masterful pieces remain scarce. The cursive script "Peaceful Posture" by Wang Jinzhi sparked intense debate, with Ms. Yang noting that it is attributed to Song Yuben and particularly praised for its elegance. Zhao Mengfu’s Yuan Dynasty album "Luo Shenfu" remains controversial, yet its brushwork is admired for its skill and harmony. Wen Zhengming’s work, recorded in the early edition of "Shiqu Baodi," represents his signature style. Ni Kuang’s works are exceptionally rare, with only one piece held in the Wuxi Museum. His "Linlin Yushi" painting, described as a top-tier example, sold for 43.68 million yuan, considered a good value compared to the exorbitant prices of Ming and Qing works. This highlights the need for greater expertise in the field. Zhou Zhixuan, a Ming Dynasty artist associated with the "Hedge Flower School," created the 17-meter-long "Flowers of Hundred Flowers," a masterpiece that showcases his highest level of artistry. Sold for 90.72 million yuan, it is considered a bargain compared to similar works listed in "Shiqu Baodi." Zhu Xi’s "Orphaned Poultry" is a classic example of his artistic style, depicting a solitary bird with a proud, aloof demeanor. Imperial calligraphy from the Ming and Qing dynasties has also gained popularity, though many so-called imperial works are actually ghostwritten. The "Apricot Flower Picture" by Emperor Qianlong, sold at Beijing Poly Auctions for 23.52 million yuan, exemplifies the value of authentic imperial works. Modern art continues to rise, with modern calligraphy and paintings becoming a major focus for collectors and auction houses. In the autumn of 2010, China Guardian hosted nine modern art auctions, achieving 1.699 billion yuan in sales, with 25 works exceeding 10 million yuan. Beijing Poly saw 2.01 billion yuan in sales, with 42 works valued at tens of millions. Xu Beihong’s "Palestinian Drowning Map" was hailed as a masterpiece, blending Chinese and Western techniques with historical and artistic significance. Contemporary art, however, remains relatively quiet compared to its predecessors. While some works, like Wang Xijing’s "Jade House Spring Drunk Figure" and Fan Zeng’s "Seven Diagrams of Bamboo Grove," achieved notable sales, overall market activity was subdued. Nevertheless, certain contemporary artists, such as Fan Zeng and Han Meilin, saw strong performance, with high turnover rates and record-breaking sales. Letters and documents have also experienced a surge in value. What once sold for tens of thousands now commands hundreds of thousands or even millions. In 2010, over 70% of million-yuan works were sold, with notable examples including the Northern Song Dynasty letter "Chu Shu and Yun Zhi Zhi County Seven Brothers" sold for 45.92 million yuan. Letters from prominent figures like Dong Biwu, Peng Zhen, and Hu Shi fetched high prices, demonstrating the growing interest in historical documents. Overall, the art market in 2010 showed a clear shift towards ancient and modern works, with a strong emphasis on authenticity, rarity, and historical significance. As the market evolves, the demand for quality and expertise will continue to shape the future of the industry.

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