The models were dressed in elegant long skirts and their figures were projected on the walls, like the ballistic dance of ballet. Goga Ashkenazi, the creative director, talks in the background about “inspired dance” as if it were the chiffon skirt where dancer Isadora Duncan danced. The "sports sense of sport" is thus manifested.

From the simple nude color skirt to the Saskia de Brauw finale, wearing a white three-dimensional tailored dress skirt, wrinkles and Greek-style drape pleats is a tribute to Madeleine Vionnet. Tights and blouses, backpacks with pleated skirts, polyethylene belts, leather gladiator sandals and shawls may be a little crazy, but it's very much in line with the modern version of Artemis. Perhaps this is what Ashkenazi said she wants to improve the Vionnet style so that it looks more modern. This has to admire this passionate legendary brand and the world-renowned, modern-looking off-cuts.